Edizioni Curci Srl, Galleria del Corso, 4, 20122, Milan, Italy
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Email: info@edizionicurci.it
Date & Opus | Title | Words | Duration | More… |
---|---|---|---|---|
1949/1950 Opus 4a |
Pastiches An Entertainment in the Form of Six Poetical and Musical Parodies for Narrator and Piano |
David Munro | 15 mins | |
Notes: Movements are: 1. Mouvement Perpétuel (Francis Poulenc/Lewis Carroll); 2. Tango (Darius Milhaud/Edith Sitwell); 3. Berceuse (Gabriel Fauré/William Shakespeare); 4. Mazurka (Dmitri Shostakovich/T. S. Eliot); 5. Negro Song (Antonín Dvořák/Rudyard Kipling); 6. Carioca! (Heitor Villa-Lobos/Gertrude Stein) | ||||
May 1952, revised Winter 1961–2 Opus 13 |
Three Moods for Violin and Piano |
— | ||
Notes: Published in the composer’s facsimile, 1990 | ||||
1965/1966 Opus 49 |
A Catch for Wind Instruments Twenty-three Short Movements (in Three Sets) for Wind Quintet, after Izaak Walton |
— | ||
Notes: | ||||
February 1987 Opus 82b |
Pasticheries (non-Boulangerie) Three Parodies arr. for Brass Quintet |
6 mins | ||
Notes: Published in the composer’s facsimile, 1990; movements are: 1. The Return of Bulgy Gogo—ragtime (tribute to Peter Warlock); 2. The Velvet Gentleman—à la brossienne (tribute to Erik Satie); 3. Up the Faringdon Road!—valse brilliantine (tribute to Lord Berners); transcription made for the New Mexico Brass Quintet of Albuquerque, USA | ||||
1971 Opus 60a |
In Memoriam Scott Fitzgerald for Saxophone Quartet |
2½ mins | ||
Notes: Written for the London Saxophone Quartet; arrangement of untitled piano piece, c. 1950 | ||||
1972 Opus 60b |
In Memoriam Scott Fitzgerald arr. for Guitar |
2½ mins | ||
Notes: Written for and edited by Angelo Gilardino | ||||
Spring 1972 Opus 64a |
In Memoriam Django Reinhardt Theme and Two Variations for Guitar |
7½ mins | ||
Notes: Written for and edited by Angelo Gilardino; movements are: 1. Prelude; 2. Elegy; 3. Django Reinhardt’s Stomp | ||||
Spring 1972 Opus 64b |
In Memoriam Django Reinhardt Theme and Two Variations for Saxophone Quartet |
7½ mins | ||
Notes: Published by Dorn Publications, Inc., USA; written for the London Saxophone Quartet; movements are: 1. Prelude; 2. Elegy; 3. Django Reinhardt’s Stomp | ||||
Spring 1972 Opus 65a |
Saxe Blue for Saxophone Quartet |
3 mins | ||
Notes: Published by Dorn Publications, Inc., USA; written for the London Saxophone Quartet | ||||
Spring 1972 Opus 65b |
Saxe Blue for Guitar |
3 mins | ||
Notes: Written for and edited by Angelo Gilardino | ||||
December 1972 Opus 66 |
Flying Birds Theme and Nine Variations for Saxophone Quartet |
7¾ mins | ||
Notes: Written for the London Saxophone Quartet; concert version of the music for the RSPB film; movements are: 1. Theme; 2. Variation 1: Gannets; 3. Variation 2: The Arctic Tern (Slow Waltz); 4. Variation 3: The Arctic Tern (hovering and dipping); 5. Variation 4: Birds landing; 6. Variation 5: Puffins & Friends (Slow Tango); 7. Variation 6: Razorbills and Kittiwakes; 8. Variation 7: Swans taking off… and landing; 9. Variation 8: Knot, Widgeon and Waders; 10. Variation 9: Oystercatchers and Sanderling (Finale) | ||||
November 1975 Opus 75 |
Oceani Luni: The Oceans of the Moon Theme and Eight Variations for Guitar |
18 mins | ||
Notes: Written for, and edited by, Angelo Gilardino; movements are: 1. The Sea of Fertility (Mare fœcunditas); 2. The Sea of Rains (Mare imbrium); 3. The Sea of Cold (Mare frigoris); 4. The Sea of Crises (Mare crisium); 5. Theme: “To the moon”; 6. The Sea of Clouds (Mare nubium); 7. The Sea of Tranquillity (Mare tranquillitatis); 8. The Lake of Dreams (Lacus somniorum); 9. The Ocean of Storms (Oceanus procellarum); the theme ‘To the moon’ is taken from Lachrymae, op. 23 | ||||
February/March 1977 Opus 18b |
A Little Trio for Wind Instruments arr. for Flute (or Oboe), Clarinet in B flat and Bassoon (or Bass Clarinet) |
— | ||
Notes: Published in the composer’s facsimile, 1990 | ||||
March/April 1979 Opus 82a |
Pasticheries (non-Boulangerie) Three Parodies for Piano Duet |
6 mins | ||
Notes: Published in the composer’s facsimile, 1990; movements are: 1. The Return of Bulgy Gogo—ragtime (tribute to Peter Warlock); 2. The Velvet Gentleman—à la brossienne (tribute to Erik Satie); 3. Up the Faringdon Road!—valse brilliantine (tribute to Lord Berners); these pieces are affectionate tributes to three composers whose music Carey Blyton admired—none of whom studied with Nadia Boulanger! | ||||
Summer 1952, revised Summer 1979 Opus 14 |
Moresques Three Songs for Soprano, Flute, Harp and Piano |
David Munro | 16 mins | |
Notes: Songs are: 1. A Yellow Flower; 2. Simoom; 3. Love-song of the Lady of Granada | ||||
1981 Opus 4c |
Pastiches Nº2 (Tango) arr. for Three Guitars by Keigo Fujii |
1¾ mins | ||
Notes: Published in the composer’s facsimile, 1989 | ||||
1981 Opus 31c |
Patterns arr. for Two Guitars by Keigo Fujii (nos 1 & 3 only: Waltz and The Organ-grinder) |
5¼ mins | ||
Notes: Published in the arranger’s facsimile, 1988; movements are: 1. Waltz (Passacaglia); 2. Pastoral (Chaconne); 3. The Organ-grinder (Ostinato) | ||||
1981 Opus 32c |
Three Musical Mishaps arr. for Two Guitars by Keigo Fujii |
5¼ mins | ||
Notes: Published in 1989 by permission of the Sam Fox Publishing Company, USA; movements are: 1. The Three-stringed Fiddle; 2. The Damaged Bagpipes; 3. The Broken Pianola | ||||
February 1982 Opus 85a |
Sweet and Sour Rag for Piano Duet |
4 mins | ||
Notes: Written for John Mitchell; published in the composer’s facsimile, 1990 | ||||
March 1983 Opus 85b |
Sweet and Sour Rag arr. for Brass Quintet |
4 mins | ||
Notes: Written for the Chestnut Brass Company of Philadelphia, USA (brass quintet); published in the composer’s facsimile, 1990 | ||||
April 1983 Opus 88 |
A Shoal of Fishes A Suite of Nine Miniatures for Pedal Concert Harp after prints by Hiroshige (1797–1858) and anonymous poems of the period, published in 1832/3 |
— | ||
Notes: Written for the Lloyds Bank National Composers’ Award Competition; published in the composer’s facsimile, 1988; movements are: 1. Tobiuwo (Flying fish); 2. Suzuki (Sea-perch); 3. Ebi (Shrimp); 4. Shima-hata (Grouper); 5. Ai (Trout); 6. Akodai/Kurodai (Red bream or golden tai/Black seabream or porgy); 7. Bora (Gray mullet); 8. Koi (Carp); 9. Saba/Hirosaba or marusaba (Mackerel) | ||||
November 1986 Opus 94a |
For the Delight of Shiva for Vibraphone |
11 mins | ||
Notes: Based on the rag Misra Sivaranjani; published in the composer’s facsimile, 1990; written for Derek Foster | ||||
1988 Opus 4b |
Pastiches arr. for Two Guitars |
11½ mins | ||
Notes: Published in the composer’s facsimile, 1989; edited by Rose Andresier; movements are: 1. Mouvement Perpétuel (Francis Poulenc/Lewis Carroll); 2. Tango (Darius Milhaud/Edith Sitwell); 3. Berceuse (Gabriel Fauré/William Shakespeare); 4. Mazurka (Dmitri Shostakovich/T. S. Eliot); 5. Negro Song (Antonín Dvořák/Rudyard Kipling); 6. Carioca! (Heitor Villa-Lobos/Gertrude Stein) | ||||
1988 Opus 7b |
Six Epigrams arr. for Alto Saxophone and Piano |
6¾ mins | ||
Notes: Published in the composer’s facsimile, 1989; movements are: 1. Idyll; 2. March; 3. Blues; 4. Scherzo; 5. Homage to Czerny; 6. Echoes | ||||
Spring 1988 Opus 94b |
For the Delight of Shiva for Guitar |
11 mins | ||
Notes: Published in the composer’s facsimile, 1990; written for Timothy Walker | ||||
1989 Opus 10b |
Two Pensive Songs arr. for Clarinet and Piano |
5 mins | ||
Notes: Published in the composer’s facsimile, 1990; movements are: 1. Two Stolen Roses; 2. Come, Night | ||||
April 1989 (No opus number) |
Bach-Chat for Two Guitars Off-beat Bach |
2 mins | ||
Notes: Arranged from the Recorded Music Library piece of the same name; published in the composer’s facsimile, 1989 (edited by the guitarist Rose Andresier) | ||||
May 1989 Opus 96 |
Nimblefingers Five Duets for Two Clarinets (B flat/A) |
— | ||
Notes: Based on some ten TV commercial music tracks for Nimble Bread, written in the mid-1960s; published in the composer’s facsimile, 1989; movements are: 1. Nitty-gritty; 2. Namby-pamby; 3. Arty-crafty; 4. Airy-fairy; 5. Hoity-toity | ||||
1990 Opus 99 |
Musica Mechanica for Three Violins, Two Cellos and Double Bass |
6 mins | ||
Notes: Movements are: 1. Musical Clock (England); 2. Barrel Organ (France); 3. Jukebox (America) | ||||
April 1990 Opus 1b |
Five Diversions arr. for Wind Quintet |
13½ mins | ||
Notes: A rescoring for wind instruments of Four Diversions for Piano, original op. 1 and A Little Waltz from Two Waltzes, op. 8; movements are: 1. Vacilación (Habañera); 2. The Lake at Evening; 3. The Girl with the Auburn Hair; 4. Twilit Willows; 5. A Little Waltz; dedicated to the memory of May Parker, who had taught the teenaged Carey Blyton piano and thus fired his interest in music | ||||
1949/1950, 1988, 1994 Opus 4d |
Pastiches An Entertainment in the Form of Six Poetical and Musical Parodies for Narrator and Two Guitars |
David Munro | 15 mins | |
Notes: Arrangement for two guitars republished by Edizioni Bèrben in 1994 with the texts of the poems and the original Production Note, allowing the guitarists to perform the work with a narrator for a more unusual concert item; movements are: 1. Mouvement Perpétuel (Francis Poulenc/Lewis Carroll); 2. Tango (Darius Milhaud/Edith Sitwell); 3. Berceuse (Gabriel Fauré/William Shakespeare); 4. Mazurka (Dmitri Shostakovich/T. S. Eliot); 5. Negro Song (Antonín Dvořák/Rudyard Kipling); 6. Carioca! (Heitor Villa-Lobos/Gertrude Stein) |