Carey Blyton: Film & Television Music (1/4) (including film production music and music for television commercials) |
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Year of publication | 2002 |
Type of work | CD recording |
CD Duration | 00:56:19 |
Performers | Foreign radio station orchestras & British session players |
Publisher | Apollo Sound |
Grouping | Work | Movement | Duration | |
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1 | Film Production Music | Valse Musette | Parisian ‘left bank’ evocation | 2:07 |
2 | Girl Friday | A quick, rhythmic number with a South American flavour | 2:30 | |
3 | Commuter Special | Moderate tempo, amusing | 1:59 | |
4 | On the Go (Moto Perpetuo) | Gay, moving | 1:46 | |
5 | Something in the Wind | Theme: Something in the Wind | 0:35 | |
6 | Variation 1: Waltz | 0:34 | ||
7 | Variation 2: March | 0:34 | ||
8 | Variation 3: Rhapsody | 0:35 | ||
9 | Variation 4: Humoreske | 0:34 | ||
10 | Variation 5: Soliloquy | 0:34 | ||
11 | Variation 6: Tarantella (Finale) | 0:34 | ||
12 | Action for Orchestra | Gay, lively | 3:05 | |
13 | Blues in the Round | Bach blues | 3:06 | |
14 | Neurosis | Aggressive | 1:38 | |
15 | Men at Work | Mechanical/industrial | 1:51 | |
16 | Noises of the Night | Mysterious, mounting tension | 1:55 | |
17 | Harvest | Pastoral | 2:06 | |
18 | Minuet for Octet | 18th Century pastiche | 1:35 | |
19 | Bitonality Blues | Blues | 0:46 | |
20 | Pan & Echo | Pastoral | 0:50 | |
21 | Table for Two | Romantic, warm | 0:52 | |
22 | Gay Abandon | Gay, witty | 0:46 | |
23 | Music Hall Memories | Humorous, rather droll | 0:49 | |
24 | Vista for Orchestra | Panoramic | 2:36 | |
25 | Scottish Highlands | National, sombre | 1:23 | |
26 | Scenes at Camelot | Renaissance period | 1:53 | |
27 | Bach-Chat for Two Guitars | Off-beat Bach | 2:11 | |
28 | Music for TV Commercials | Birds Eye ‘Florida Orange Juice’ | Bach Prelude (distant) | 0:35 |
29 | Bach Prelude (close) | 0:35 | ||
30 | Widor Toccata-lette (distant) | 0:32 | ||
31 | Widor Toccata-lette (close) | 0:34 | ||
32 | Bach Two-part Invention (distant) | 0:34 | ||
33 | Bach Two-part Invention (close) | 0:38 | ||
34 | Mackintosh’s ‘Quality Street’ | Fashion Show | 0:33 | |
35 | At the Ballet [Theatre] (unmixed) | 0:34 | ||
36 | At the Ballet [Theatre] (mixed – voiceover: Patrick Cargill) | 0:37 | ||
37 | Lyons ‘Harvest Pies’ | Dandelion I (sackbut) | 0:49 | |
38 | Dandelion II (sackbut) | 0:33 | ||
39 | Dandelion III (horn) | 0:33 | ||
40 | Butterfly/Feather I (sackbut) | 0:49 | ||
41 | Butterfly/Feather II (sackbut) | 0:34 | ||
42 | Butterfly/Feather III (horn) | 0:37 | ||
43 | British Bakeries ‘Nimble Bread’ | In the Park I (pastoral) | 0:38 | |
44 | In the Park II (pert – unmixed) | 0:35 | ||
45 | In the Park III (pert – with voiceover) | 0:38 | ||
46 | Tape Measure | 0:35 | ||
47 | Bikini | 0:34 | ||
48 | Zipper | 0:33 | ||
49 | Scales | 0:35 | ||
50 | Smith & Nephew ‘Elastoplast’ | Elastoplastic Art | 0:58 | |
51 | ‘Lux Toilet Soap’ | Samantha Eggar Relaunch – Idea I | 0:17 | |
52 | Samantha Eggar Relaunch – Idea II | 0:17 | ||
53 | British Bakeries ‘Nimble Bread’ | Calorie Counter | 0:37 | |
54 | Mini-car | 0:35 | ||
55 | Market | 0:34 | ||
56 | Seaside | 0:30 | ||
Total duration: | 56:19 |
These are fascinating examples of the instrumentator’s craft, and of Blyton’s music; he found many of the ideas too good to waste, and they were incorporated into concert works. Some surprises from a ‘traditional’ composer too—12-note pieces make an appearance.